From the Autochthonous Otherness to the Idealized Otherness: an Iconographic and Postcolonial Comparison of the Work (Selection of Oil Paintings) by Enrique Echandi Montero and Tomás Povedano de Arcos

 

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Autor: Calvo Díaz, Andrea
Formato: artículo original
Estado:Versión publicada
Fecha de Publicación:2018
Descripción:This article aims to problematize the concepts of autochthonous otherness and idealized otherness implemented in the Costa Rican visual arts, of the late XIX and early XX, from an iconographic and poscolonial perspective. Autochthonous otherness is understood as the native/ original Costa Rican representation and imagined otherness as the European conception rooted in Costa Rican arts. For visual arts, this study, the work of Enrique Echandi a (Costa Rican artist) is confronted with the paintings of Thomas Povedano de Arcos a (European artist). At the end a poscolonial reflection is done on the conflict Echandi vs. Povedano
País:Portal de Revistas UCR
Institución:Universidad de Costa Rica
Repositorio:Portal de Revistas UCR
Lenguaje:Español
OAI Identifier:oai:portal.ucr.ac.cr:article/35340
Acceso en línea:https://revistas.ucr.ac.cr/index.php/humanidades/article/view/35340
Access Level:acceso abierto
Palabra clave:otherness
iconography
poscoloniality
Enrique Echandi
Tomás Povedano
otredad
iconografía
poscolonialdad