Ways to remember the war: violence in photography and documentary flm of the Mexican Revolution
محفوظ في:
| المؤلف: | |
|---|---|
| التنسيق: | artículo original |
| الحالة: | Versión publicada |
| تاريخ النشر: | 2018 |
| الوصف: | Photography and documentary flm had a leading role in the construction of the memory of the Mexican Revolution and the defnition of the new national identity. This stage of construction and defnition meant privileging and marginalizing certain images, while, thanks to their ambiguity or semantic weakness, they were reassigned meanings to others, with the purpose of forging a suitableRevolution, that is, a Revolution that corroborated the premises of nationalist rhetoric. This paper analyzes how this process of “editing” had repercussions in the representations of the violence of photography and documentary flm, one of the most polemical aspects of the revolutionary movement to the extent that, besides chaos, shows incompatible cultural, political and social projects |
| البلد: | Portal de Revistas UCR |
| المؤسسة: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| اللغة: | Español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/31466 |
| الوصول للمادة أونلاين: | https://revistas.ucr.ac.cr/index.php/humanidades/article/view/31466 |
| Access Level: | acceso abierto |
| كلمة مفتاحية: | cine documental fotografía Revolución mexicana violencia dodocumentary flm photography revolution violence war |