Ways to remember the war: violence in photography and documentary flm of the Mexican Revolution
保存先:
| 著者: | |
|---|---|
| フォーマット: | artículo original |
| 状態: | Versión publicada |
| 出版日付: | 2018 |
| その他の書誌記述: | Photography and documentary flm had a leading role in the construction of the memory of the Mexican Revolution and the defnition of the new national identity. This stage of construction and defnition meant privileging and marginalizing certain images, while, thanks to their ambiguity or semantic weakness, they were reassigned meanings to others, with the purpose of forging a suitableRevolution, that is, a Revolution that corroborated the premises of nationalist rhetoric. This paper analyzes how this process of “editing” had repercussions in the representations of the violence of photography and documentary flm, one of the most polemical aspects of the revolutionary movement to the extent that, besides chaos, shows incompatible cultural, political and social projects |
| 国: | Portal de Revistas UCR |
| 機関: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| 言語: | Español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/31466 |
| オンライン･アクセス: | https://revistas.ucr.ac.cr/index.php/humanidades/article/view/31466 |
| Access Level: | acceso abierto |
| キーワード: | cine documental fotografía Revolución mexicana violencia dodocumentary flm photography revolution violence war |