Generic Hybridity and Posture in Nora Sari
保存先:
| 著者: | |
|---|---|
| フォーマット: | artículo original |
| 状態: | Versión publicada |
| 出版日付: | 2023 |
| その他の書誌記述: | This article shows that the generic hybridity perceived and proven in the text of Nora Sari was an effect of the stakes of various tendencies of the context of production in the choice of the subject to treat: on one hand, the life of the family and the self-story of the main character of the novel; on the other hand, the historical context prevailing during the period concerning this slice of life. This hybridity reveals a concern for posture in line with the discourses and orientations of the social and literary field within which the novelist seeks to inscribe her place. It also shows a desire to overcome a deep split in the issue of languages in this same field. |
| 国: | Portal de Revistas UCR |
| 機関: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| 言語: | Francés Español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/57724 |
| オンライン･アクセス: | https://revistas.ucr.ac.cr/index.php/kanina/article/view/57724 |
| Access Level: | acceso abierto |
| キーワード: | Fictional autobiography Story generic hybridity scenography self-image posture positioning Autobiografía ficcional Historia hibridez genérica escenografía autoimagen postura posicionamiento Autobiographie fictive Histoire hybridité générique scénographie image de soi positionnement |