Modes of listening in music and in psychoanalysis

 

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Opis bibliograficzny
Autorzy: Picún Fuentes, Olga, Fernández Caraballo, Ana María
Format: artículo original
Status:Versión publicada
Data wydania:2019
Opis:  In the long history of western music, whose direct antecedent is usually placed in ancient Greece, listener and listening have experienced multiple changes. The law that governs a listening mode is not found outside historical, political or social determinations that overcome the specific musical field. However, musical transformations are inexorable to approach an understanding of changes produced in the listener and the act of hearing a musical work. How has the music been treated by Freud and Lacan? What is the interest that may arouse to psychoanalysis the sonorous dimensions in their different treatments? How does sound transformations in modernism occur and how they affect listening? What relationships can be established between these transformations and psychoanalysis? Key Words: consonance, dissonance, music, psychoanalysis.
Kraj:Portal de Revistas UCR
Instytucja:Universidad de Costa Rica
Repositorio:Portal de Revistas UCR
Język:Español
OAI Identifier:oai:portal.ucr.ac.cr:article/35812
Dostęp online:https://revistas.ucr.ac.cr/index.php/kanina/article/view/35812
Access Level:acceso abierto
Słowo kluczowe:consonance
dissonance
musica
psychoanalysis
consonancias
disonancias
música
psicoanálisis