From the Autochthonous Otherness to the Idealized Otherness: an Iconographic and Postcolonial Comparison of the Work (Selection of Oil Paintings) by Enrique Echandi Montero and Tomás Povedano de Arcos
保存先:
| 著者: | |
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| フォーマット: | artículo original |
| 状態: | Versión publicada |
| 出版日付: | 2018 |
| その他の書誌記述: | This article aims to problematize the concepts of autochthonous otherness and idealized otherness implemented in the Costa Rican visual arts, of the late XIX and early XX, from an iconographic and poscolonial perspective. Autochthonous otherness is understood as the native/ original Costa Rican representation and imagined otherness as the European conception rooted in Costa Rican arts. For visual arts, this study, the work of Enrique Echandi a (Costa Rican artist) is confronted with the paintings of Thomas Povedano de Arcos a (European artist). At the end a poscolonial reflection is done on the conflict Echandi vs. Povedano |
| 国: | Portal de Revistas UCR |
| 機関: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| 言語: | Español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/35340 |
| オンライン･アクセス: | https://revistas.ucr.ac.cr/index.php/humanidades/article/view/35340 |
| キーワード: | otherness iconography poscoloniality Enrique Echandi Tomás Povedano otredad iconografía poscolonialdad |