The Culture-bound Hierarchy of Manhood: An Overview of Hegemonic Masculinity and Subordinate Male Figures in Shall We DANSU?
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| Nhiều tác giả: | , |
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| Định dạng: | artículo original |
| Trạng thái: | Versión publicada |
| Ngày xuất bản: | 2010 |
| Miêu tả: | Although the concept of hegemonic masculinity was defined more than two decades ago, failure to consider the significance of cultural differences in the construction of maleness has led contemporary critics to misinterpret the Japanese vision of hegemonic masculinity. This analysis of the most significant male characters in the movie Shall We DANSU? highlights the cultural components that shape the represented masculinities and shows how the movie criticizes Western compulsive masculinity discourse defined by Charlebois. |
| Quốc gia: | Portal de Revistas UCR |
| Tổ chức giáo dục: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Ngôn ngữ: | Inglés |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/9467 |
| Truy cập trực tuyến: | https://revistas.ucr.ac.cr/index.php/rlm/article/view/9467 |
| Từ khóa: | masculinidad cultura japonesa interpretación sociedad cultura película género masculinity Japanese culture interpretation society culture movie gender |