Antinomias filosóficas en la pintura: Vermeer y Friedrich
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| Tác giả: | |
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| Định dạng: | artículo original |
| Trạng thái: | Versión publicada |
| Ngày xuất bản: | 2022 |
| Miêu tả: | As stated by Leonardo's epigraph, the fundamental premise in this paper is that, just like painting is philosophy, philosophy is painting as well. Just like painting expresses different philosophical problems, philosophy can be concretely applied in painting. Drawing from this premise, the purpose of this paper is todemonstrate that the paintings by Jan Vermeer and Caspar Friedrich are a fertile field for the formulation of certain conceptual, abstract antinomies through pictoric images. On the other hand, literature has expressed–and exceeded– the magnificence of painting through memorable poems and poetic prose. In this regard, I refer particularly to Wolfgang Goethe, Rainer-María-Rilke, Marcel Proust and Giusseppe Ungaretti. Our approach is thus interdisciplinary. The integration of painting, music, literature and philosophy helps us tohighlight the concrete universality of the works of art, as parts in a living texture. |
| Quốc gia: | Portal de Revistas UCR |
| Tổ chức giáo dục: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Ngôn ngữ: | Español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/51032 |
| Truy cập trực tuyến: | https://revistas.ucr.ac.cr/index.php/filosofia/article/view/51032 |
| Từ khóa: | pintura antinomias literatura painting antinomies literature |