The notion of "port" in the pictorial work of Max Jiménez Huete
Salvato in:
Autore: | |
---|---|
Natura: | artículo original |
Status: | Versión publicada |
Data di pubblicazione: | 2021 |
Descrizione: | The present article aims to analyze the notion of "port" in the pictorial work of the Costa Rican artist Max Jimenez Huete (1900-1947) from a semiotic and cultural perspective. It is fundamental to point out that the visual proposal of the architect is characterized by retaking the figure of the Afro-descendant and by promoting a discourse of rupture with the Costa Rican hegemonic art. This disruption fosters the representation of other voices and other landscapes, as well as symbolizing the port as a space for cultural exchange and Carnival festivity. |
Stato: | Portal de Revistas UCR |
Istituzione: | Universidad de Costa Rica |
Repositorio: | Portal de Revistas UCR |
Lingua: | Español |
OAI Identifier: | oai:portal.ucr.ac.cr:article/49326 |
Accesso online: | https://revistas.ucr.ac.cr/index.php/estudios/article/view/49326 |
Access Level: | acceso abierto |
Keyword: | art; culture; afrodescendant; work; carnaval. Arte; cultura; afrodescendiente; trabajo; carnaval. |