The notion of "port" in the pictorial work of Max Jiménez Huete
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| Autor: | |
|---|---|
| Formato: | artículo original |
| Estado: | Versión publicada |
| Fecha de Publicación: | 2021 |
| Descrição: | The present article aims to analyze the notion of "port" in the pictorial work of the Costa Rican artist Max Jimenez Huete (1900-1947) from a semiotic and cultural perspective. It is fundamental to point out that the visual proposal of the architect is characterized by retaking the figure of the Afro-descendant and by promoting a discourse of rupture with the Costa Rican hegemonic art. This disruption fosters the representation of other voices and other landscapes, as well as symbolizing the port as a space for cultural exchange and Carnival festivity. |
| País: | Portal de Revistas UCR |
| Recursos: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Idioma: | Español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/49326 |
| Acesso em linha: | https://revistas.ucr.ac.cr/index.php/estudios/article/view/49326 |
| Access Level: | acceso abierto |
| Palavra-chave: | art; culture; afrodescendant; work; carnaval. Arte; cultura; afrodescendiente; trabajo; carnaval. |