Acting Poetics and Territoriality of Bodies in Theatrical Autofiction: The Case of Manifiesto por amor a los hombres
Đã lưu trong:
| Tác giả: | |
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| Định dạng: | artículo original |
| Trạng thái: | Versión publicada |
| Ngày xuất bản: | 2024 |
| Miêu tả: | The work seeks to contribute to the production of knowledge about acting in the context of contemporary independent theater in the city of San Miguel de Tucumán-Argentina. We try to recognize the ways in which the territorialities of the actors' and actresses' bodies participate in the specific configuration of an artistic work. For this purpose, we analyze the theatrical production Manifiesto por amor a los hombres, an autofictional show premiered on November 23, 2012, which addresses the issue of male homosexuality. A work developed through scenic improvisations, where the fictional construction of the play compromises the personal biography of the protagonist. This creative modality that favors the crossing between art and life in the figure of the performer enables disruptive corporal and acting experiences against theatrical forms sustained in the mimetic-scenic illusion, at the same time that promotes practices of micropolitical resistance in a social context that is not very favorable to sexual diversity. |
| Quốc gia: | Portal de Revistas UCR |
| Tổ chức giáo dục: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Ngôn ngữ: | Español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/60358 |
| Truy cập trực tuyến: | https://revistas.ucr.ac.cr/index.php/kanina/article/view/60358 |
| Từ khóa: | performance body autofiction territoriality theater actuación cuerpo autoficción territorialidad teatro corps territorialité théâtre |