La Ruta de su Evasión A Costa Rican opera that returns the voice to a violent silence
保存先:
| 著者: | |
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| フォーマット: | artículo original |
| 状態: | Versión publicada |
| 出版日付: | 2019 |
| その他の書誌記述: | This article is a reflection that intends to approach the sound landscape created by the staging of the Costa Rican opera La Ruta de su Evasión by Carlos José Castro in collaboration with Roxana Ávila Harper of the Abya Yala Theater Released on April 1, 2017 and to establish possible interdiscursive relations between both texts from categories such as voice and silence. It reflects on the tension and violence produced by the confrontation between silence and voice, and how it builds multiple sound environments that are erected through other elements such as light, costumes and scenery. To end in a discourse that rescues a consciously silenced reality that, at the time, attempted against hegemonic identity. |
| 国: | Portal de Revistas UCR |
| 機関: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| 言語: | Español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/39858 |
| オンライン･アクセス: | https://revistas.ucr.ac.cr/index.php/estudios/article/view/39858 |
| キーワード: | Costa Rican opera; violence; voice; silence; sound landscape ópera costarricense; violencia; voz; silencio; paisaje sonoro |