From hell to heaven: a scenographyc salvation door for “El burlador de Sevilla”
Сохранить в:
| Автор: | |
|---|---|
| Формат: | artículo original |
| Статус: | Versión publicada |
| Дата публикации: | 2021 |
| Описание: | With this communication it is important to analyze the mythical value of the door that opens to welcome don Juan in hell’s shelter. Do the salvation doors close or is there hope to subvert the social order? Tirso condemns him and Zorrilla saves him if in a social and scenographical point of view. Myth becomes reality in order to enter a new celestial and earthly dimension. The most important review some literary versions of don Juan from a generic point of view, paying attention to the sexual transgression of a character that is part of our cultural heritage. It is necessary compare musical, film and literary iconography of the door as fall and salvation of said character. |
| Страна: | Portal de Revistas UCR |
| Институт: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Язык: | Español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/47226 |
| Online-ссылка: | https://revistas.ucr.ac.cr/index.php/estudios/article/view/47226 |
| Ключевое слово: | Don Juan; door; salvation; scenography Don Juan; infierno; puerta; salvación; escenografía |