The Configuration of a Latin American Curatorial Field: Discursive Hegemonies and Resistances Using Bibliography in English and Spanish (Between the Late 20th and Early 21st Century)
সংরক্ষণ করুন:
| লেখক: | |
|---|---|
| বিন্যাস: | artículo original |
| বর্তমান অবস্থা: | Versión publicada |
| প্রকাশনার তারিখ: | 2024 |
| বিবরন: | Introduction: Based on the book Curaduría de Latinoamérica: 20 entrevistas a quienes cambiaron el arte contemporáneo (2018) by Juan José Santos, the formation of a Latin American curatorial field from a critical perspective is narrated. Objective: To identify layers of hegemony that make up curating during the 1990s and the early 2000s, between processes of globalization, multiculturalism, and postcolonialism. Methods: Contributions from queer studies are adopted, specifically from Judith Butler and Sarah Ahmed, to pay attention to the power dynamics that go through the attempts to close discourses. For this, I worked with fragments of interviews from Santos’s book. Conclusions: The importance of carrying out a historiography of curatoring was observed, thinking of it not as something that defines the subjects, nor as an exclusive field of action, but as a platform for agency and intervention concatenated with other aesthetic tools and social experiences within and out of art. |
| দেশ: | Portal de Revistas UCR |
| প্রতিষ্ঠান: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| ভাষা: | Español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/54330 |
| অনলাইন ব্যবহার করুন: | https://revistas.ucr.ac.cr/index.php/escena/article/view/54330 |
| মুখ্য শব্দ: | hegemonía cultural globalización arte latinoamericano análisis del discurso arte contemporáneo cultural hegemony globalization Latin American art discourse analysis contemporary art |