An Italian Investigation: Cultural Capital and Social Superiority in Alicia Giménez Bartlett’s Nadie quiere saber
محفوظ في:
| المؤلف: | |
|---|---|
| التنسيق: | artículo original |
| الحالة: | Versión publicada |
| تاريخ النشر: | 2024 |
| الوصف: | This paper proposes that in Alicia Giménez Bartlett’s Nadie quiere saber (2013), official travel to Rome –the European capital of culture par excellence– by Inspector Petra Delicado and Sub-Inspector Fermín Garzón furnishes a context in which Petra can show off her cultural capital (as per Bourdieu’s classification of the term) in order to denigrate and humiliate her subordinate culturally, professionally, and socially, while also highlighting the relevance of her own bourgeois-hegemonic culture. |
| البلد: | Portal de Revistas UCR |
| المؤسسة: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| اللغة: | Español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/62661 |
| الوصول للمادة أونلاين: | https://revistas.ucr.ac.cr/index.php/filyling/article/view/62661 |
| كلمة مفتاحية: | Nadie quiere saber Alicia Giménez Bartlett cultural capital Pierre Bourdieu Rome capital cultural Roma |