An Italian Investigation: Cultural Capital and Social Superiority in Alicia Giménez Bartlett’s Nadie quiere saber
Đã lưu trong:
| Tác giả: | |
|---|---|
| Định dạng: | artículo original |
| Trạng thái: | Versión publicada |
| Ngày xuất bản: | 2024 |
| Miêu tả: | This paper proposes that in Alicia Giménez Bartlett’s Nadie quiere saber (2013), official travel to Rome –the European capital of culture par excellence– by Inspector Petra Delicado and Sub-Inspector Fermín Garzón furnishes a context in which Petra can show off her cultural capital (as per Bourdieu’s classification of the term) in order to denigrate and humiliate her subordinate culturally, professionally, and socially, while also highlighting the relevance of her own bourgeois-hegemonic culture. |
| Quốc gia: | Portal de Revistas UCR |
| Tổ chức giáo dục: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Ngôn ngữ: | Español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/62661 |
| Truy cập trực tuyến: | https://revistas.ucr.ac.cr/index.php/filyling/article/view/62661 |
| Từ khóa: | Nadie quiere saber Alicia Giménez Bartlett cultural capital Pierre Bourdieu Rome capital cultural Roma |