Back in the Nature Boy: The Presence of the Cuban-American Designer Edel Rodríguez in the Artistic Circuit of Cuba
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| Tác giả: | |
|---|---|
| Định dạng: | artículo original |
| Trạng thái: | Versión publicada |
| Ngày xuất bản: | 2022 |
| Miêu tả: | This research addresses the initial process of insertion in the Cuban cultural circuit of the Cuban-American designer and artist Edel Rodríguez, by exhibiting his cultural graphic production for the first time in a Cuban institution. The methodology implemented is multidisciplinary. It runs in the fields of sociology, history and semiotics to present the artist and analyze the process of management, staging and reception of the personal exhibition Nature Boy (2014) at Casa de las Américas. The event was very well received by the public and had a beneficial repercussion on the journalistic reception, as it was the perfect opportunity to learn about the professional career of the Cuban designer trained abroad. However, the exhibition is framed as an excellent presentation of the artist’s creative work because there is no other significant exhibition of Edel in the Cuban art scene. |
| Quốc gia: | Portal de Revistas UCR |
| Tổ chức giáo dục: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Ngôn ngữ: | Español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/51997 |
| Truy cập trực tuyến: | https://revistas.ucr.ac.cr/index.php/escena/article/view/51997 |
| Access Level: | acceso abierto |
| Từ khóa: | design art migration exhibition insertion diseño arte migración exposición inserción |