¡QUE VIVA CHANGÓ! MUSIC AND AFRO-CUBAN RELIGIOSITY IN PERU IN THREE DECADES (1980-2010)
Guardado en:
| Autores: | , |
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| Formáid: | artículo original |
| Stádas: | Versión publicada |
| Fecha de Publicación: | 2015 |
| Cur Síos: | The cuban migration to Peru has been an issue that has not been explored with profundityhowever, playing certain attention to the establishment of the migratory waves of cubansthat have anchored in the country since the political conflict origined in Cuba in 1980.This will leads to describe peripheral phenomena, such as musical influences and afrocubanreligious tradition like santeria and Ifá. We can observe how music has been a channel that has allowed religious influence in the country since the arrival of cubanmusical groups into the mainstream of Lima. The popularity of “salsa” in restaurants,night clubs, cuban bars and the creation of temple houses in the city. This article proposesan approach of cuban background in Peru; considering the influence of music as adetermining factor in the popularization of religious traditions as transnational culturalleaks between the people, countries and places. |
| País: | Portal de Revistas UCR |
| Institiúid: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Teanga: | Español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/22679 |
| Rochtain Ar Líne: | https://revistas.ucr.ac.cr/index.php/sociales/article/view/22679 |
| Palabra clave: | PERÚ*MÚSICA * RELIGIÓN*SOCIOLOGÍA CULTURAL* SANTERÍA |