Dancers and contorsionists in Xenophon’s Symposium
保存先:
| 著者: | , |
|---|---|
| フォーマット: | artículo original |
| 状態: | Versión publicada |
| 出版日付: | 2018 |
| その他の書誌記述: | Studies on women in ancient societies lack a thorough research on the slave girls that were used for playing music and dancing in banquets. We shall try to offer as far as possible a picture of these girls according to what Xenophon depicts in his Symposium, and elaborate a cross research in order to see if it may be possible to build a dancing methodology from the iconography and textual information from a contemporary point of view. Young acrobat slave girls will also be treated, even though there is no bibliography on them. This work joins in a multidisciplinary way philological, iconographic and artistic matters. |
| 国: | Portal de Revistas UCR |
| 機関: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| 言語: | Español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/31414 |
| オンライン･アクセス: | https://revistas.ucr.ac.cr/index.php/humanidades/article/view/31414 |
| キーワード: | Banquet symposium Socrates slaves dancers contortionists. Banquete simposio Sócrates esclavas bailarinas contorsionistas. |