The narrative structure of Jorge Velosa´s carranguera music in the Boyacá department between 1970 a 1990
保存先:
| 著者: | , |
|---|---|
| フォーマット: | artículo original |
| 状態: | Versión publicada |
| 出版日付: | 2019 |
| その他の書誌記述: | Carranguera music as a popular expression of peasant communities, recounts the daily life of each of the individuals, feelings, emotions and representations that have been studied through interculturality, recounting the cultural and local history of a community. This research seeks to outline the cultural model that exists between the satisfaction of the self and the search to have a good time by taking Jorge Velosa's songbook, locating the type of decoding and symbolic structures that allow us to approach the social contexts and sense of the actors from the word as the oral heritage of the peoples. |
| 国: | Portal de Revistas UCR |
| 機関: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| 言語: | Español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/39861 |
| オンライン･アクセス: | https://revistas.ucr.ac.cr/index.php/estudios/article/view/39861 |
| キーワード: | Narrative structure, carranguera music, Boyacá, cultural model, Jorge Velosa. Estructura narrativa, música carranguera, Boyacá, modelo cultural, Jorge Velosa. |