AN ANALYSIS OF ULI STELZNER’S “LA ISLA” (2009) AND HERNÁN JIMÉNEZ’S “A OJOS CERRADOS” (2010)
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| Định dạng: | artículo original |
| Trạng thái: | Versión publicada |
| Ngày xuất bản: | 2013 |
| Miêu tả: | This essay analyzes mourning from a psychoanalytic perspective in two Central American films. Documentary “La isla, archivos de una tragedia” by German director Uli Stelzner introduces mourning on disappeared people (“desaparecidos”) in Guatemala after genocide. “A ojos cerrados” by Costa Rican director Hernán Jiménez, presents mourning issues at a middle class family in San José downtown, Costa Rica. |
| Quốc gia: | Portal de Revistas UCR |
| Tổ chức giáo dục: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Ngôn ngữ: | Español |
| OAI Identifier: | oai:portal.revistas.ucr.ac.cr:article/1406 |
| Truy cập trực tuyến: | https://revistas.ucr.ac.cr/index.php/rdialogos/article/view/1406 |
| Từ khóa: | Mourning, Central American films, psychoanalytic theory. Duelo, desaparecidos, cine centroamericano, teoría psicoanalítica. |