The Dialectic Image as a relevant category towards negative dialectics constelations: GOYA, GROSZ AND BENJAMIN / KLEE
محفوظ في:
| المؤلف: | |
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| التنسيق: | artículo original |
| الحالة: | Versión publicada |
| تاريخ النشر: | 2018 |
| الوصف: | In this paper, the category of the dialectical image is explored as an analytical device. At a critical / praxical level, within this device, allegorical, graphic and especially conceptual elements are related to each other to develop a materialistic skepsis (a sine qua non component of constellations within dialectic´s in it´s negative/adornian expression). Somatic supports shown for this research are: Goya´s Caprice 43 (1799), Grosz´s The pillars of society (1926) and Benjamin´s Philosophy of History (Thesis IX), regarding Angelus Novus, Benjamin / Klee (1940/1920). Each one and by its own right can be seen from an adornian insight as intervention models that unequivocally reject the concealment, neutralization and / or displacement of its material / historical production conditions and therefore, they proceed to the dismantling of a mystified form of rationality that assumes and promotes the order of "the" culture as an incontrastable reality and fatal destiny. |
| البلد: | Portal de Revistas UCR |
| المؤسسة: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| اللغة: | Español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/35352 |
| الوصول للمادة أونلاين: | https://revistas.ucr.ac.cr/index.php/estudios/article/view/35352 |
| كلمة مفتاحية: | Dialectic images Negativa dialectic Adorno Benjamin Constelations Klee Imagen dialéctica Dialéctiva negativa Constelaciones |