Prosopography and Etopeia in Rosa Montero’s Character Bruna Husky
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| Status: | Versión publicada |
| Data wydania: | 2021 |
| Opis: | This article endeavors to study the literary image of Bruna Husky, the fictional character in Rosa Montero’s novels, according to the theory of the artistic image developed by Georges Didi-Huberman. This critic explores the artistic image as a symptom, that is, as a conflict among latent contradictory impulses, located not only in the author’s unconscious, but in society as a whole. As a character, Bruna husky shows a conflict between prosopography (visual image, physical description) and etopeia, (a character’s values and actions). While Bruna Husky’s prosopography shows us a masculinized woman, her etopeia reveals a woman who is still subservient to her male partner through the romantic mystique of ideal love. In this way, Bruna Husky represents an interesting but failed attempt to find a literary image of an independent woman in our time. |
| Kraj: | Portal de Revistas UCR |
| Instytucja: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Język: | Español |
| OAI Identifier: | oai:portal.revistas.ucr.ac.cr:article/14401 |
| Dostęp online: | https://revistas.ucr.ac.cr/index.php/rfilyling/article/view/14401 |
| Słowo kluczowe: | feminism science-fiction prosopography etopeia Rosa Montero feminismo ciencia ficción prosopografía etopeya |