Musical subcultures and Costa Rican urban popular culture in the documentaries Vargas Brothers and Se prohíbe bailar “suin”
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| Nhiều tác giả: | , , |
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| Định dạng: | artículo original |
| Trạng thái: | Versión publicada |
| Ngày xuất bản: | 2020 |
| Miêu tả: | In documentary history, popular music has had a relevant place. A large group of documentaries is dedicated to the professional and private trajectory of musicians, dealing with exhaustion from touring, as well as drug consumption, etc., while another group focuses its attention on the consumption practices of popular music (fans). Costa Rican documentaries show examples from both venues, in the frame of Central American modernity: the redemption of a rock and roll band, after their journey to drugs and alcohol, in Los Vargas Brothers, and the consumption (dance) of a genre considered marginal for a long time, the ‘swing criollo’, in Se prohíbe bailar suin. Costa Rican urban popular culture is represented in both documentaries. |
| Quốc gia: | Portal de Revistas UCR |
| Tổ chức giáo dục: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Ngôn ngữ: | Español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/44241 |
| Truy cập trực tuyến: | https://revistas.ucr.ac.cr/index.php/pensamiento-actual/article/view/44241 |
| Từ khóa: | Rockdocumentary swing criollo centroamerican music rock and roll popular identity urban identity música centroamericana identidad popular identidad urbana |