The Performative Function of Language in Jonás by Edilberto Cardona Bulnes
Guardado en:
| Údar: | |
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| Formáid: | artículo original |
| Stádas: | Versión publicada |
| Fecha de Publicación: | 2026 |
| Cur Síos: | This paper focuses on Jonás, fin del mundo o líneas en una botella (1980), by the Honduran poet Edilberto Cardona Bulnes, with the aim of showing how language maintains a performative character in its poetic construction. In Cardona Bulnes's poetry, rather than reproducing an external reality, the word becomes an event: it produces the contours of a world of its own where the lyrical self is unstably constituted, fragmenting and reconstructing itself in the very act of enunciation. |
| País: | Portal de Revistas UCR |
| Institiúid: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Teanga: | Español |
| OAI Identifier: | oai:portal.revistas.ucr.ac.cr:article/3258 |
| Rochtain Ar Líne: | https://revistas.ucr.ac.cr/index.php/rintersedes/article/view/3258 |
| Palabra clave: | Performativity speech acts deconstruction Honduran poetry Edilberto Cardona Bulnes Performatividad actos de habla deconstrucción poesía hondureña Performatividad del lenguaje Discurso poético |