Is this not the same dog?: Guillermo Vargas (Habacuc) Axioma (2013) and the art of disinformation
Guardado en:
| 作者: | |
|---|---|
| 格式: | artículo original |
| 狀態: | Versión publicada |
| Fecha de Publicación: | 2014 |
| 實物特徵: | This paper analyses the artwork Axioma (2013) of the contemporary Costa Rican artist known as Habacuc. The present text is an essay that analyse a contemporary artwork from a “limited interpretation”, by methodological decision. The media phenomenon is going to be studied from a Communication Sciences perspective. Axioma broke into the agenda of various news websites, which in context of the electoral truce and foreseeing the possible curiosity generated by a note on Habacuc and a new art project relative to a dog, headlines were irresponsibly shared instead of confirm the information. Consequently, the media created a truth and they (mis) informed thousands of people, those within hours were asking for the artist’s head. |
| País: | Portal de Revistas UCR |
| 機構: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| 語言: | Español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/17550 |
| 在線閱讀: | https://revistas.ucr.ac.cr/index.php/escena/article/view/17550 |
| Palabra clave: | Contemporary art Costa Rica public opinion mass communication Guillermo Vargas Habacuc. Arte contemporáneo opinión pública comunicación de masas Guillermo Vargas Habacuc |