Arquitectura poética y ascensión musical: Yolanda Oreamuno en concierto con Eunice Odio.
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| Údar: | |
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| Formáid: | artículo original |
| Stádas: | Versión publicada |
| Fecha de Publicación: | 2012 |
| Cur Síos: | n as much sculptural and architectonic representation, the power of the call of poetry unfolds by means of tactile or visual sensations upon molding and giving form to a material within the space of a page. In addition, poetry can, with language, carve out a human figure or raise a building. Yolanda Oreamuno and Eunice Odio understand how to manage proportion, perspective and volume as capable architects in the two texts that we put in concert. "Eight O'clock Mass" and "The Path of Fire" respectively. |
| País: | Portal de Revistas UCR |
| Institiúid: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Teanga: | Español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/1739 |
| Rochtain Ar Líne: | https://revistas.ucr.ac.cr/index.php/filyling/article/view/1739 |
| Palabra clave: | Yolanda Oreamuno Eunice Odio "Eight O'clock Mass" "The Path of Fire" architectural poetry "Misa de ocho" El tránsito de fuego arquitectura poética |