Medallas de la Gran Logia Nacional de España, 1809 – 1812 (Análisis documental e iconográfico)
保存先:
| 著者: | |
|---|---|
| フォーマット: | artículo original |
| 状態: | Versión publicada |
| 出版日付: | 2018 |
| その他の書誌記述: | The medals of Spanish Freemasonry, as a sign of identity, expressive frame and communication vehicle, form a unique ensemble in the Masonic art scene. One might, therefore, wonder whether the fact that Spanish Freemasonry had prolonged periods of prohibition and its members were criminalized is a major factor in explaining this gap. Through different documentary sources, those medals can be reported and studied, as well as open a new window to look out to the beginnings of Spanish Masonic art in order to know the authorship, the vicissitudes and the character of some of its protagonists. |
| 国: | Portal de Revistas UCR |
| 機関: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| 言語: | Español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/35234 |
| オンライン･アクセス: | https://revistas.ucr.ac.cr/index.php/rehmlac/article/view/35234 |
| キーワード: | Spanish freemasonry; 1809–1812; medal; goldsmith; documentary sources. masonería española; 1809-1812; medalla; orfebre; fuentes documentales. |