Fabián Bielinsky´s Argentina: Reality and hiper-reality in times of crisis
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| Tác giả: | |
|---|---|
| Định dạng: | artículo original |
| Trạng thái: | Versión publicada |
| Ngày xuất bản: | 2018 |
| Miêu tả: | Argentina`s postrait at the beginning of XXI th century is analyzed by the producer and script writer Fabián Bielinsky in his movie pictures Nueve reinas (Nine queens) (2000) and El aura (2005). By using different narrative strategies, these movie pictures depict a violent and corruptive society. This article examines not only their characteristics of representation but also their narrative differences to think about different ways of “representing” reality. |
| Quốc gia: | Portal de Revistas UNA |
| Tổ chức giáo dục: | Universidad Nacional de Costa Rica |
| Repositorio: | Portal de Revistas UNA |
| Ngôn ngữ: | Español |
| OAI Identifier: | oai:ojs.www.una.ac.cr:article/10435 |
| Truy cập trực tuyến: | https://www.revistas.una.ac.cr/index.php/repertorio/article/view/10435 |
| Từ khóa: | Argentina cine metáfora realidad corrupción violencia cinema metaphor reality corruption violence |