Art, politics and Juche ideology: the construction of the North Korean poster associated with its foreign policy in the context of the Cold War
محفوظ في:
| المؤلفون: | , |
|---|---|
| التنسيق: | artículo original |
| الحالة: | Versión publicada |
| تاريخ النشر: | 2026 |
| الوصف: | Posters are an important form of visual communication in North Korea. They are carefully designed and overseen by the government, which ensures that they convey a message through imagery, color, symbolism, and words, aligning with government policies and serving as a means of reaching the masses. In this sense, posters are linked to the Juche ideology, which is why they are meticulously designed at the Mansudae Art Studio and offer an educational and visual tool for the people. This article explores the value of North Korean posters after the end of World War II, as well as the emergence of the Juche ideology, which exalts the personality cult of the Great Leader Kim Il-sung, associated with these posters. It also delves into the importance of the poster’s educational component and its visual characteristics; as well as taking up the characteristics that Jeffrey Schnapp provided about the poster and which for this work are articulated with the North Korean propaganda poster, which in turn are associated with the digital collection of North Korean posters from the private collection of Willem van der Bijl, which is owned by the University of Leiden, in the Netherlands. |
| البلد: | Portal de Revistas UNA |
| المؤسسة: | Universidad Nacional de Costa Rica |
| Repositorio: | Portal de Revistas UNA |
| اللغة: | Español Inglés |
| OAI Identifier: | oai:www.revistas.una.ac.cr:article/23047 |
| الوصول للمادة أونلاين: | https://www.revistas.una.ac.cr/index.php/ri/article/view/23047 |
| كلمة مفتاحية: | art education Juche ideology mass communication North Korean posters arte carteles norcoreanos comunicación de masas educación ideología Juche |