Poverty and violence steal the image: New Latin American Cinema in Central America
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| Tác giả: | |
|---|---|
| Định dạng: | artículo original |
| Trạng thái: | Versión publicada |
| Ngày xuất bản: | 2022 |
| Miêu tả: | In this essay, we take a walk through Central American film production, starting in the 1960s, until the 1980s, in a time marked not only by extreme poverty but also by armed conflicts; period in which the cinema became a powerful tool, playing, most of the time, a propaganda role and, however, under the influence of the New Latin American Cinema, propose a political and revolutionary cinema that benefits from state investment and the international solidarity, in which men and women actively participated by registering the region’s problems with their critical gaze. |
| Quốc gia: | Portal de Revistas UNA |
| Tổ chức giáo dục: | Universidad Nacional de Costa Rica |
| Repositorio: | Portal de Revistas UNA |
| Ngôn ngữ: | Español Inglés |
| OAI Identifier: | oai:ojs.www.una.ac.cr:article/17378 |
| Truy cập trực tuyến: | https://www.revistas.una.ac.cr/index.php/istmica/article/view/17378 |
| Từ khóa: | New Latin American Cinema Central America political and revolutionary cinema Nuevo Cine Latinoamericano Centroamérica cine político y revolucionario |