Batman and the Joker analyzed following Derrida and Bajtín
保存先:
| 著者: | |
|---|---|
| フォーマット: | artículo original |
| 状態: | Versión publicada |
| 出版日付: | 2020 |
| その他の書誌記述: | The author applies Derrida’s textual approach to the comic gender in connectionto film language. To do the analysis are taken into account the comicsThe Killing Joke (Allan Moore, 1988), and Arkham Asylum: A serious houseon a serious Earth (Grant Morrison, 1989), as well as the movie The DarkKnight (Christopher Nolan, 2009). A complementary reading from the visionof Bajtín (2003) lets extrapolate the notion of Joker as heir of the Rabelesquetradition, developed by François Rabelais in his classic stories Gargantua(1534) and Pantagruel (1532). |
| 国: | Portal de Revistas UNA |
| 機関: | Universidad Nacional de Costa Rica |
| Repositorio: | Portal de Revistas UNA |
| 言語: | Español |
| OAI Identifier: | oai:www.revistas.una.ac.cr:article/13514 |
| オンライン･アクセス: | https://www.revistas.una.ac.cr/index.php/repertorio/article/view/13514 |
| キーワード: | deconstruction History of the Laugh hero villian comic film deconstrucción Historia de la Risa héroe villano cómic cine |