The Collective Jirondai Project: Reaffirmation of indigenous identity through its music in Costa Rica
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| Autor: | |
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| Formato: | artículo original |
| Estado: | Versión publicada |
| Fecha de Publicación: | 2026 |
| Descripción: | This article focuses on a sui-generis musical and visual arts project, undertook by the collective known as Jirondai Project. It stems from a horizontal collaboration between indigenous and non-indigenous musicians, in order to research and compile the ancestral music, bringing it back to the families and communities, recreating and revitalizing it through the arts and technology, integrating grandparents, adults, youngsters, boys and girls in participatory workshops. Jirondai Project has become, for two decades, a powerful creative decolonizing exercise of intercultural initiatives and encounters, multiple and diverse, and successive discoveries of great value that seem never ending. |
| País: | Portal de Revistas UNA |
| Institución: | Universidad Nacional de Costa Rica |
| Repositorio: | Portal de Revistas UNA |
| Lenguaje: | Español Inglés |
| OAI Identifier: | oai:www.revistas.una.ac.cr:article/22352 |
| Acceso en línea: | https://www.revistas.una.ac.cr/index.php/repertorio/article/view/22352 |
| Palabra clave: | Costa Rica indigenous music indigenous identity Ngöbe-Buglé People Bribri People Cabecar People visual arts decolonization participatory methodology música indígena identidad indígena Pueblo Ngöbe-buglé Pueblo Bribri Pueblo Cabécar artes visuales descolonización metodología participativa |