Voices, land and machines of meaning in Balam Rodrigo’s Central American Book of the Dead
Αποθηκεύτηκε σε:
| Συγγραφέας: | |
|---|---|
| Μορφή: | artículo original |
| Κατάσταση: | Versión publicada |
| Ημερομηνία έκδοσης: | 2026 |
| Περιγραφή: | This article analyzes Libro centroamericano de los muertos by Balam Rodrigo as a poetic project which intertwines past and present to denounce the structural violence that permeates Central America, particularly through the lens of migration. The text focuses on three analytical axes: voices, land, and the train La Bestia. The first section explores how polyphony is achieved through dramatic monologues that weave together the voices of migrants, historical figures such as Fray Bartolomé de las Casas, and personal references, creating a poetic archive. The second section examines the semantic transformation of Central American territory, which shifts from a symbol of development to a geography of exclusion and forced displacement. Lastly, the train is analyzed as both a technical and semiotic machine, articulating multiple temporalities and reconfiguring its modern symbolism into a device of death. The author engages with theorists such as Félix Guattari and the European avant-gardes to conceptualize machines. Ultimately, the article offers a critical reading of the poem as a poetic intervention in the Central American cultural archive, deconstructing the myth of progress in the region. |
| Χώρα: | Portal de Revistas UNA |
| Ίδρυμα: | Universidad Nacional de Costa Rica |
| Repositorio: | Portal de Revistas UNA |
| Γλώσσα: | Español |
| OAI Identifier: | oai:www.revistas.una.ac.cr:article/22175 |
| Διαθέσιμο Online: | https://www.revistas.una.ac.cr/index.php/istmica/article/view/22175 |
| Λέξη-Κλειδί : | migration violence Central American literature La Bestia train progress modernity migración violencia literatura centroamericana tren La Bestia progreso modernidad |