Una Interpretación del Estudio Nº 1 para guitarra de Heitor Villa-Lobos Felipe Solís Arias
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| Автор: | |
|---|---|
| Формат: | artículo original |
| Статус: | Versión publicada |
| Дата публикации: | 2020 |
| Описание: | This article exposes a possible dialectic interpretation for the Study Nº 1 from the brazilian composer Heitor Villa-Lobos (Brazil, 1887-1959). It’s placed in the sonorous, cultural and artistic contexts that were contemporary to the author. In this article is possible to find a reference to the esthetic and artistic tendency from the popular music that surrounded the author and, subsequently, through the notions of Cultural Anthropophagy, Postcolonial Listening and Ethnographic Ear, relocate the rhythmic sense of the aforementioned Study. |
| Страна: | Portal de Revistas UCR |
| Институт: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Язык: | Español |
| OAI Identifier: | oai:archivo.portal.ucr.ac.cr:article/44242 |
| Online-ссылка: | https://archivo.revistas.ucr.ac.cr/index.php/pensamiento-actual/article/view/44242 |
| Ключевое слово: | interpretation technic study popular music cultural anthropophagy postcolonial listening ethnographic Heitor Villa-lobos guitar Interpretación estudio música popular antropofagia cultural escucha poscolonial oído etnográfico guitarra |