Meyerhold: A pioneer in Reception Aesthetics
সংরক্ষণ করুন:
| লেখক: | |
|---|---|
| বিন্যাস: | artículo original |
| বর্তমান অবস্থা: | Versión publicada |
| প্রকাশনার তারিখ: | 2020 |
| বিবরন: | In the first quarter of the 20th century, two antithetical artistic trends gain importance, both confronting the dominant tendencies of the bourgeois theatre and both pursuing antagonisticnobjectives. One trend defends a necessary re-theatricalization, while the other bets for a radicalnde-theatricalization. Meyerhold positions himself in the first trend, for all his theatrical creationsnand theoretical writings, he formulates a set of fundamental principles and in the understanding ofntheatrical communication for the consideration of the functions of the stage director, and in doing so, he becomes a pioneer in the field of reception aesthetics. We intend to demonstrate such a claim with this paper, written after a review of scientific literature, which also includes his personalcontributions. As a conclusion, we highlight the transcendence of Meyerhold’s proposals to promote a theatre that, based on critical theory, could help to encourage a reception equally critical. |
| দেশ: | Portal de Revistas UCR |
| প্রতিষ্ঠান: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| ভাষা: | Español |
| OAI Identifier: | oai:archivo.portal.ucr.ac.cr:article/42475 |
| অনলাইন ব্যবহার করুন: | https://archivo.revistas.ucr.ac.cr/index.php/escena/article/view/42475 |