Enlightenment Thought in Music
Guardado en:
| Údar: | |
|---|---|
| Formáid: | artículo original |
| Stádas: | Versión publicada |
| Fecha de Publicación: | 2014 |
| Cur Síos: | The Enlightenment thought of XVIII century about the reason, criticism, autonomy, progress and education, may be difficult to distinguish in the music of the time, however, we will find it in a new form of composition, in which the structure reflects all theenlightenment intellectuals, criticism ironic, and hall meetings. The following article makes clear how the composer Joseph Haydn, use these elements in an innovative form and ahead of his time, experimenting with music and audience reaction. |
| País: | Portal de Revistas UCR |
| Institiúid: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Teanga: | Español |
| OAI Identifier: | oai:archivo.portal.ucr.ac.cr:article/13068 |
| Rochtain Ar Líne: | https://archivo.revistas.ucr.ac.cr/index.php/humanidades/article/view/13068 |
| Palabra clave: | Sonata form halls Haydn irony Forma sonata salones ironía |