From the Belly of the Tomb to the Bone: The permanence. Oswaldo Guayasamín
Guardado en:
| Údar: | |
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| Formáid: | artículo original |
| Stádas: | Versión publicada |
| Fecha de Publicación: | 2015 |
| Cur Síos: | This paper aims to establish the relationship, Huaca-graybeard-uterus (earth-nature-life-homeland-tender, feminine), bone-(memory -continuity), which appears as a recurring element throughout the work of the Ecuadorian painter Osvaldo Guayasamín, born of his experiential culture-historical and emotionalrelationship with pre-Columbian and hence raises the irreducibility of life, in: While I live, I always remember you. The age of tenderness. |
| País: | Portal de Revistas UCR |
| Institiúid: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Teanga: | Español |
| OAI Identifier: | oai:archivo.portal.ucr.ac.cr:article/21168 |
| Rochtain Ar Líne: | https://archivo.revistas.ucr.ac.cr/index.php/escena/article/view/21168 |
| Palabra clave: | vasija femenino tierra madre patria hueso-vida-memoria histórica graybeard female earth mother country bone-life-historical memory |