El Güegüense: patrimonio cultural de Nicaragua
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| Автор: | |
|---|---|
| Формат: | artículo original |
| Статус: | Versión publicada |
| Дата публикации: | 2013 |
| Описание: | This article explores to which degree El Güegüence, a Nicaraguan play created and performed by natives and mestizos during the Spanish colonial period, lost its subversives characteristics when it was “rescued” and incorporated into the national cultural patrimony. The abundant literature written about El Güegüence has had effects on it’s reception by the public. The article also questions binary categories such as elitist culture versus popular culture, and the role of the State as a central entity that homogenizes and erases social differences. |
| Страна: | Portal de Revistas UCR |
| Институт: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Язык: | Español |
| OAI Identifier: | oai:archivo.portal.ucr.ac.cr:article/10047 |
| Online-ссылка: | https://archivo.revistas.ucr.ac.cr/index.php/herencia/article/view/10047 |
| Ключевое слово: | el güegüence teatro colonial latinoamericano patrimonio nacional latin american colonial theater national patrimony |