El baile de la loquera: the Carnival Aspect of Danceable Music Practice of Mosh and Slam for the Urban Youth in Costa Rica during the Decade of 1990, the Case of Ska Music
Wedi'i Gadw mewn:
| Awdur: | |
|---|---|
| Fformat: | artículo original |
| Statws: | Versión publicada |
| Dyddiad Cyhoeddi: | 2022 |
| Disgrifiad: | This article discusses the danceable music practice of “mosh” and “slam” as a form of subversive attitude for the urban youth, based on the carnival theory of Mijail Bajtin. In particular, proposes a transdisciplinary methodology based in the analysis of social discourse, discographic production and ethnographic data. All this allows to achieve the following objective: analyze the carnivalesque form in the danceable practice of “ska” music for Costa Rican urban youth during the decade of 1990. |
| Gwlad: | Portal de Revistas UCR |
| Sefydliad: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Iaith: | Español |
| OAI Identifier: | oai:archivo.portal.ucr.ac.cr:article/50498 |
| Mynediad Ar-lein: | https://archivo.revistas.ucr.ac.cr/index.php/intercambio/article/view/50498 |
| Allweddair: | Bajtín musical discourse youth festivity carnival discurso musical jóvenes festividad carnaval juventude festividade |