The notion of "port" in the pictorial work of Max Jiménez Huete
সংরক্ষণ করুন:
| লেখক: | |
|---|---|
| বিন্যাস: | artículo original |
| বর্তমান অবস্থা: | Versión publicada |
| প্রকাশনার তারিখ: | 2021 |
| বিবরন: | The present article aims to analyze the notion of "port" in the pictorial work of the Costa Rican artist Max Jimenez Huete (1900-1947) from a semiotic and cultural perspective. It is fundamental to point out that the visual proposal of the architect is characterized by retaking the figure of the Afro-descendant and by promoting a discourse of rupture with the Costa Rican hegemonic art. This disruption fosters the representation of other voices and other landscapes, as well as symbolizing the port as a space for cultural exchange and Carnival festivity. |
| দেশ: | Portal de Revistas UCR |
| প্রতিষ্ঠান: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| ভাষা: | Español |
| OAI Identifier: | oai:archivo.portal.ucr.ac.cr:article/49326 |
| অনলাইন ব্যবহার করুন: | https://archivo.revistas.ucr.ac.cr/index.php/estudios/article/view/49326 |
| মুখ্য শব্দ: | art; culture; afrodescendant; work; carnaval. Arte; cultura; afrodescendiente; trabajo; carnaval. |