Between Judaism and Freemasonry: The Dual Interpretation of David Rosenberg’s Kabbalistic Lithograph, Aperçu de l’Origine du Culte Hébraïque (1841)
Сохранить в:
| Авторы: | , |
|---|---|
| Формат: | artículo original |
| Статус: | Versión publicada |
| Дата публикации: | 2023 |
| Описание: | This article addresses a highly detailed and complex lithograph with the title Aperçu de l’Origine du Culte Hébraïque (“An Overview of the Origin of Hebrew Worship”), which was designed and executed in Paris in 1841 by a Hungarian rabbi, David Rosenberg. It explains the Kabbalistic meaning of the lithograph and its application to Freemasonry. Rosenberg’s endeavour will be analysed within the wider Masonic historical context. The probable reasons behind the reinterpretation of the lithograph from a Judaic into a Masonic work will be explored, thus also including Rosenberg’s possible personal motives. |
| Страна: | Portal de Revistas UCR |
| Институт: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Язык: | Español |
| OAI Identifier: | oai:archivo.portal.ucr.ac.cr:article/52767 |
| Online-ссылка: | https://archivo.revistas.ucr.ac.cr/index.php/rehmlac/article/view/52767 |
| Ключевое слово: | David Rosenberg Cabalá Masonería Arte Iconografía Relaciones Judeo-Cristianas Kabbalah Freemasonry Art Iconography Jewish-Christian Relations |