Joyce as Playwright: Ulysses and Chapter 15
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| מחבר: | |
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| פורמט: | artículo original |
| סטטוס: | Versión publicada |
| Fecha de Publicación: | 2024 |
| תיאור: | This paper aims to explore one of the central chapters in Ulysses as a dramatic text, and, more importantly, its disruptive purport. Therefore, starting with the theoretical framework offered by the Drama Theory with its analytical tools, combined with a historical and a comparative perspective in order to place the text in the context in which it was generated and published and in relation to other texts and authorships, it explores some of its most relevant and renewing features. As the most important results, it is pointed out that the chapter that Joyce placed under the invocation of Circe is a profoundly innovative play, and it maintains parallels with the dramatic work of other transcendental authors in the 20th century. |
| País: | Portal de Revistas UCR |
| מוסד: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| שפה: | Español |
| OAI Identifier: | oai:archivo.portal.ucr.ac.cr:article/60317 |
| גישה מקוונת: | https://archivo.revistas.ucr.ac.cr/index.php/filyling/article/view/60317 |
| מילת מפתח: | modernism avant-garde closet drama mental theatre implicit playwright modernismo vanguardia drama para leer teatro mental dramaturgo implícito |