Body, technology and biopolitics in Martín Rejtman’s Los guantes mágicos (2003)
محفوظ في:
| المؤلف: | |
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| التنسيق: | artículo original |
| الحالة: | Versión publicada |
| تاريخ النشر: | 2021 |
| الوصف: | This article analyzes Martin Rejtman’s film Los guantes mágicos (2003) from the point of view of the intersection between body, technology, biopolitics and a pharmacopornographic regime. To this end, it first reviews these concepts and their approach in philosophy and then examines the way in which corporeality and illness are represented in the aforementioned film. In Los guantes mágicos (2003), illness and bodies are mainly discursive. Sick subjectivities are first said and by being said they become materialized, they become a body. Technology, pharmacological advances, and the logic of the market become, in this way, somatic incorporations. |
| البلد: | Portal de Revistas UCR |
| المؤسسة: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| اللغة: | Español |
| OAI Identifier: | oai:archivo.portal.ucr.ac.cr:article/49477 |
| الوصول للمادة أونلاين: | https://archivo.revistas.ucr.ac.cr/index.php/escena/article/view/49477 |
| كلمة مفتاحية: | cine enfermedad política filosofía información comunicación film media sickness politics philosophy information comunication |