Body, technology and biopolitics in Martín Rejtman’s Los guantes mágicos (2003)
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| Tác giả: | |
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| Định dạng: | artículo original |
| Trạng thái: | Versión publicada |
| Ngày xuất bản: | 2021 |
| Miêu tả: | This article analyzes Martin Rejtman’s film Los guantes mágicos (2003) from the point of view of the intersection between body, technology, biopolitics and a pharmacopornographic regime. To this end, it first reviews these concepts and their approach in philosophy and then examines the way in which corporeality and illness are represented in the aforementioned film. In Los guantes mágicos (2003), illness and bodies are mainly discursive. Sick subjectivities are first said and by being said they become materialized, they become a body. Technology, pharmacological advances, and the logic of the market become, in this way, somatic incorporations. |
| Quốc gia: | Portal de Revistas UCR |
| Tổ chức giáo dục: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Ngôn ngữ: | Español |
| OAI Identifier: | oai:archivo.portal.ucr.ac.cr:article/49477 |
| Truy cập trực tuyến: | https://archivo.revistas.ucr.ac.cr/index.php/escena/article/view/49477 |
| Từ khóa: | cine enfermedad política filosofía información comunicación film media sickness politics philosophy information comunication |