Creation methodologies: collectivity and intersubjectivity “6…9 ou vice versa”
保存先:
| 著者: | |
|---|---|
| フォーマット: | artículo original |
| 状態: | Versión publicada |
| 出版日付: | 2021 |
| その他の書誌記述: | This article examines the three main axes of the creation process of the piece "6...9 ou vice versa", in which two collective creation methodologies were applied: the RSVP cycles, developed by Lawrence and Anna Halprin, and the notion of Transformative mise en scène in Robert Lepage. Both methodologies will be examined in relation to Roberto Alvim's proposal called Dramáticas do Transumano from a gender perspective; specifically, the exploration from the écriture féminine elaborated by Hélène Cixous in "The Laugh of the Medusa". A brief descriptive tour of the selected creation methodologies, as well as the main characteristics postulated by Alvim and a reflection on the concept of Cixous is proposed, in order to generate an analysis on the articulation and convergence of these procedures and proposals. |
| 国: | Portal de Revistas UCR |
| 機関: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| 言語: | Español |
| OAI Identifier: | oai:archivo.portal.ucr.ac.cr:article/45993 |
| オンライン･アクセス: | https://archivo.revistas.ucr.ac.cr/index.php/estudios/article/view/45993 |
| キーワード: | Performance; devising theatre; actor; contemporary theatre; language; body; gender. Artes escénicas; creación colectiva; actor; teatro contemporáneo; lenguaje; cuerpo; género. |