Technological Mediations of Homosexual Desire: an Analysis of the Exhibition “Of Anxia and Modesty”
保存先:
| 著者: | |
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| フォーマット: | artículo original |
| 状態: | Versión publicada |
| 出版日付: | 2023 |
| その他の書誌記述: | Introduction: The article presents an analysis of the exhibition “Of Anxia and Modesty: Variations on a Certain Construction of Desire” (2023) by Chilean artists Raúl Miranda, Mique Marchant, and Ignacio Henríquez. Objective: The analysis aims to show that technological mediations, specifically those that imply the transformations of the web 3.0, affect directly the configuration of queer sexuality, aspect that has a direct artistic correlate in the exhibition. Methods: To this end, the text employs a qualitative methodology with an interpretive approach, developing a contextual and formal description of the works and then doing a three-axis analysis: corporality, performativities of affection and sexuality, and authenticity. Conclusion: Finally, it is proposed that more than suggesting a “subversion” of the codifications of desire, the artistic expression here generates a critical and sensitive awareness of the use of technologies and their impact on affections and pleasure. |
| 国: | Portal de Revistas UCR |
| 機関: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| 言語: | Español |
| OAI Identifier: | oai:archivo.portal.ucr.ac.cr:article/54259 |
| オンライン･アクセス: | https://archivo.revistas.ucr.ac.cr/index.php/escena/article/view/54259 |
| キーワード: | tecnologías digitales sexualidad gay cuerpo performatividad arte contemporáneo digital technologies gay sexuality body performativity contemporary arts |