Mask, Nationalism and Parody in “Las doce figuras del mundo” by Honorio Bustos Domecq
Gorde:
| Egilea: | |
|---|---|
| Formatua: | artículo original |
| Egoera: | Versión publicada |
| Argitaratze data: | 2025 |
| Deskribapena: | This article explores how, from a merely police structure of "Las doce figuras del mundo", through a mask (Honorio Bustos Domecq), Jorge Luis Borges and Adolfo Bioy Casares insert a rereading of the right-wing nationalism of the Argentine Infamous Decade. With this purpose, the authors used two parodies; first, the classical police canon (narrative structure), and then, the right-wing nationalism. Thus, it has been found that it is a narrative with the intention of social criticism. |
| Herria: | Portal de Revistas UCR |
| Erakundea: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Hizkuntza: | Español |
| OAI Identifier: | oai:archivo.portal.ucr.ac.cr:article/63520 |
| Sarrera elektronikoa: | https://archivo.revistas.ucr.ac.cr/index.php/filyling/article/view/63520 |
| Gako-hitza: | Latin American literature modern literature collaboration literary studies heteronomy literatura latinoamericana literatura moderna colaboración estudios literarios heteronimia |