Mask, Nationalism and Parody in “Las doce figuras del mundo” by Honorio Bustos Domecq
Gardado en:
| Autor: | |
|---|---|
| Formato: | artículo original |
| Estado: | Versión publicada |
| Data de Publicación: | 2025 |
| Descripción: | This article explores how, from a merely police structure of "Las doce figuras del mundo", through a mask (Honorio Bustos Domecq), Jorge Luis Borges and Adolfo Bioy Casares insert a rereading of the right-wing nationalism of the Argentine Infamous Decade. With this purpose, the authors used two parodies; first, the classical police canon (narrative structure), and then, the right-wing nationalism. Thus, it has been found that it is a narrative with the intention of social criticism. |
| País: | Portal de Revistas UCR |
| Institución: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Idioma: | Español |
| OAI Identifier: | oai:archivo.portal.ucr.ac.cr:article/63520 |
| Acceso en liña: | https://archivo.revistas.ucr.ac.cr/index.php/filyling/article/view/63520 |
| Palabra crave: | Latin American literature modern literature collaboration literary studies heteronomy literatura latinoamericana literatura moderna colaboración estudios literarios heteronimia |