The Configuration of a Latin American Curatorial Field: Discursive Hegemonies and Resistances Using Bibliography in English and Spanish (Between the Late 20th and Early 21st Century)
保存先:
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| フォーマット: | artículo original |
| 状態: | Versión publicada |
| 出版日付: | 2024 |
| その他の書誌記述: | Introduction: Based on the book Curaduría de Latinoamérica: 20 entrevistas a quienes cambiaron el arte contemporáneo (2018) by Juan José Santos, the formation of a Latin American curatorial field from a critical perspective is narrated. Objective: To identify layers of hegemony that make up curating during the 1990s and the early 2000s, between processes of globalization, multiculturalism, and postcolonialism. Methods: Contributions from queer studies are adopted, specifically from Judith Butler and Sarah Ahmed, to pay attention to the power dynamics that go through the attempts to close discourses. For this, I worked with fragments of interviews from Santos’s book. Conclusions: The importance of carrying out a historiography of curatoring was observed, thinking of it not as something that defines the subjects, nor as an exclusive field of action, but as a platform for agency and intervention concatenated with other aesthetic tools and social experiences within and out of art. |
| 国: | Portal de Revistas UCR |
| 機関: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| 言語: | Español |
| OAI Identifier: | oai:archivo.portal.ucr.ac.cr:article/54330 |
| オンライン･アクセス: | https://archivo.revistas.ucr.ac.cr/index.php/escena/article/view/54330 |
| キーワード: | hegemonía cultural globalización arte latinoamericano análisis del discurso arte contemporáneo cultural hegemony globalization Latin American art discourse analysis contemporary art |